Showing posts with label cinema. Show all posts
Showing posts with label cinema. Show all posts

Saturday, June 20, 2009

Prince Vultan of the Hawkman and King Leonidas - separated at birth

I was watching Flash Gordon today and I was struck by Brian Blessed's the over the top portrayal of Prince Vultan of the Hawkmen and it's similarity to Sean McGuire's over the top portrayal of King Leonidas in the 300 spoof, Meet the Spartans.


Brian Blessed as Prince Vultan of the Hawkmen.

Sean McGuire as King Leonidas

Sean McGuire as King Leonidas, but intense.

Separated at birth? Related? Is it just the beard and the shirt free outfit?

Monday, June 23, 2008

Indiana Jones and the Kingdom of the Crystal Skull Movie review - it's not good - warning spoilers

This vitriolic review is filled with spoilers. Just a warning if you wanted to see the movie first. Also a warning that you might regret going to see the movie first. I was so annoyed that it has taken me this long to collect my thoughts to spew out like poison upon this (virtual) page.

I should have walked out when I saw the George Lucas writing credit at the beginning of the film.

Hasn't the lost city built for alien gods trope been done to death? When they started trucking out the Nazca lines and then the shot of the alien pictoglyphs in the temple that echoed the Mayan "astronaut" (Pacal the Great) just stretched credibility.

Nazca lines

A Mayan "Astronaut"

I didn't see Erich Von Daniken as a consultant on the movie but he might as well have been. Is anyone else insulted every time one of these movies or books claims that farming and writing and civilization and city building and webkinz were all taught to us by aliens. Did we accomplish nothing ourselves?

The movie was missing a credible young love interest for Indy. They didn't even try to hook up Shia LaBeouf (Mudd) with a girl in the movie. I contend that LaBeouf's character was the love interest for Indy. Shia finds Indy and needs Indy's help, Shia is the newbie young person, he is overly concerned about his appearance and combs his hair all the time. He even squealed appropriately in the dusty caves and digs, when the required rat or bug (scorpions this time) jump on him. Later he transforms into a sword wielding maniac, but he starts the movie as the girl. One possibility for romantic interest in the film might have been Cate Blanchett. Unfortunately, she plays Natasha from Bullwinkle and is definitely not used as anybody's love interest, but as another sword wielding maniac.

Other parts of the movie seemed to be someone's graduate cinema project. There was a recurrent them of backlighting characters and filming them through screens or sheets so that there heads were centered in the shadow of their heads produced by the back lighting. I counted at least four instances, some of Indy, one of the alien skull. I missed the point of why the director kept doing this.

Poor Harrison Ford looked old. I want to believe that the makeup artists made him look old because he looked too horrible for it to be a mistake. He needs to fire someone, perhaps his agent or makeup artist. A purposeful shot of Indy's desk with pictures of his father and Marcus drove home the point that all his friends and relatives were dead as well. I am guessing that they couldn't afford Sean Connery for a cameo, but emphasized the death of Marcus Brody (Denholm Elliott, who did actually pass away before this movie was made). The only connection with his past was Marion, who also looked old. They wanted to hit us over the head with passing the generational torch, I can show you the bruises on my (crystal) skull. Was anyone surprised that Mudd (Shia) turned out to be his son?

Previous instalments in this series featured exotic locations with local color, remember Petra in the Last Crusade? This movies was filmed in Connecticut, California, New Mexico and Hawaii. They didn't even bother going to South America with the cast.

Surviving an atomic blast and later the whole crew going over not one, not two, but three huge waterfalls also strained credibility. The jungles scenes start with them requiring a buzz saw tipped jungle cutting vehicle to get through and then end with a chase on parallel roads through the previously impassable jungle. Please insult my intelligence filmmakers.


The "necessary" buzz saw tank just before it is destroyed

Double wide roads (we don't need no grass cutting)

How often do you think that the warriors pop put of the Mayan stone decorations to stop looters?

Warriors upset they are in a bad movie.

Once they kill everybody do they have to recreate the designs? Do they live in their the whole time or do they take shifts. Are they real people or are they undead and only come alive when they must kill intruders?

A Mayan scary skull hidey-hole about to belch forth a warrior.
Please replace when finished. Remember - Reduce, Reuse, Recycle.


This begs the question for any tomb raider trope/Indiana Jones movie. When the ancients built these grave traps I am sure it took many years, maybe decades. Did they build one and then trigger it to test it, so the heavy rocks move and the sand spills out and the water pours in and they see it works - and then they build another one for the real deal? In the movie you can clearly see others that made it as far as Indy and Son by their corpses and skeletons littering the area. I suppose the system resets after a period of inactivity.

In conclusion, I guess I had to see the movie. It was the long awaiting next installment in a relatively proud line of great movies. I just wish that they hadn't insulted my intelligence so much and that I wasn't such a sucker that had to go see it. Don;t worry, when it comes out on cable I will probably watch it over and over again screaming insults at the television, as I am wont to do with these movies.

(There are 'Crystal Skull apologists out there, Howard didn't think it was so bad, but points to the Editing Room's abridged Indiana Jones and the Kingdom of the Crystal Skull script which covers all the high points in humorous fashion (low points?).

(Lego Indiana Jones in wheelchair from rong_yiren at flickr)
(many pics and clips from Screenrush)

Friday, June 20, 2008

American Film Institutes Top Ten Genre Films lists are flawed

The American Film Institute has released their Top Ten Genre Films lists. My interest focuses on the Science Fiction, Fantasy and Animation lists of course.

Top 10 Science-Fiction Films

  1. 2001: A Space Odyssey (1968)
  2. Star Wars: Episode IV - A New Hope (1977)
  3. E.T.: The Extra Terrestrial (1982)
  4. A Clockwork Orange (1971)
  5. The Day the Earth Stood Still (1951)
  6. Blade Runner (1982)
  7. Alien (1979)
  8. Terminator 2: Judgment Day (1991)
  9. Invasion of the Body Snatchers (1956)
  10. Back to the Future (1985)

Top 10 Animated Films

  1. Snow White and The Seven Dwarfs (1937)
  2. Pinocchio (1940)
  3. Bambi (1942)
  4. The Lion King (1994)
  5. Fantasia (1940)
  6. Toy Story (1995)
  7. Beauty and The Beast (1991)
  8. Shrek (2001)
  9. Cinderella (1950)
  10. Finding Nemo (2003)
Top 10 Fantasy Films
  1. The Wizard of Oz (1939)
  2. The Lord of the Rings: The Fellowship of the Ring (2001)
  3. It's a Wonderful Life (1946)
  4. King Kong (1933)
  5. Miracle on 34th Street (1947)
  6. Field of Dreams (1989)
  7. Harvey (1950)
  8. Groundhog Day (1993)
  9. The Thief of Bagdad (1924)
  10. Big (1988)

The Little Mermaid belongs in the animation section instead of Beauty and the Beast. In my opinion, that is the movie that restarted Disney's traditional animation franchise. Without its success you would not have Beauty and the Beast, or The Lion King on the list.

I think Groundhog Day is a terrific and still under appreciated film. The rest of the fantasy list is quirky, to say the least.

Where is The Matrix? It had revolutionary effects and spawned a huge discussion (one from me, two from me) of philosophy and science both within the genre and without.

The problem with the lists is does one include the movie that started the genre (Snow White) or technique (Toy Story) or the movies that restarted or reinvigorated the genre (The Little Mermaid) or technique (Shrek) or the best example of the form (Incredibles)? What about films that revolutionized a form or technique (Like The Voyages of Sinbad or Jason and the Argonauts)? Where do you put Who Framed Roger Rabbit?

Comments?